About Covers
There are times when I think I should give up writing and design book covers. It drives me nuts when I see clumsy layouts or poorly rendered art.
For those of you new to my blog, I used to be an art director--and before that a graphic artist. But until I did my first cover, I had no idea what was involved since my experience had been solely with advertising layouts. It turns out, it's very much the same thing. Once you've found a good art database, the rest is just a matter of Photoshop expertise.
But this is where a lot of people get into trouble. There is so much more to a good cover than just merging a couple of photos. There's typography, layout, and legibility. The cover has to look good at 6 x 9 as it does at postage stamp size.
This week, I've seen no less than three covers that would not have passed inspection if they had crossed my desk. One was from a major publisher, the second from an electronic publisher, and the third from a self-publisher.
I give no slack to big publishers. None. I expect them to hire the best of the best.
Electronic publishers get a little leeway. Because they produce so many books, they're on a tight deadline. There's no time to make every cover unique. Plus, they're probably working with a 'house' look. I'm willing to settle for formulaic as long as the layout is executed professionally.
When it comes to self-published work, you see a wide range of caliber. I've seen some phenomenal work, some better than the pros. But there are also plenty of shoddy covers--the kind that make me feel the author got taken for a ride. On the same token, the author has to take responsibility for his decision in choosing the artist (or doing the art himself).
A bad cover won't destroy your credibility as an author, but neither will it help. Be honest with yourself. Get outside opinions from people whose aesthetic opinion you respect.
If you're going to hire an artist:
• Examine their portfolio carefully. Better yet, show that portfolio to someone with no vested interest in your work. Do they get the same giddy feeling?
• Do the covers look similar? Most e-press covers are remarkably generic. That's not necessarily a bad thing, but since this is your money we're talking about, steer toward an artist whose covers look custom-made for the book.
• The artist's skill level is hard to gauge without the benefit of experience. I can tell at a glance if the artist missed something or did a sloppy job merging the art. You're paying for expertise. Get your money's worth.
• Please do not give the artist an inventory of items to put on your cover. If you crowd the cover, you lose the message. Less is more--most of the time. There was one series that deliberately used a crowded cover, but it was very well done. And considering the theme and genre, it worked.
I hate to see people get taken--or worse, fall in love with an ugly 'baby' because it was designed for them. Cover art can be expensive. If you're paying for it, demand quality.
Collecting great cover art has turned into a hobby for me. I'm always on the lookout for the next awesome cover. Are there any covers you've especially liked?
PS If you have any questions about cover art or choosing an artist, feel free to leave them in the comments. I'll help if I can.
PS If you have any questions about cover art or choosing an artist, feel free to leave them in the comments. I'll help if I can.
Comments
But, I like my simplish covers I've come up with myself. Would love to hear what you would think. I can't paste them here, darn it...but thumbnails are over on my blog (http://rmacwheeler.blogspot.com/)
--Mac
Yeah, if a cover looks cheesy, I won't try the book.
I think with self-publishing, it's more of a money thing. Maybe the author in question only has enough money to pay for good formatting?
Jennifer: I'm afraid I'm in the same boat. I know it's wrong to judge a book by its cover, but we all do it to some extent.
Darke: Don't sweat it. If I remember correctly, you opted for symbolic imagery. It was simple and clean--always a good sign.
You're so right. I know it's cliche but the adage "don't judge a book by its cover" not always works. I am very visual so I'm attracted to the cover and the TITLE (very important!). Yes, some covers don't do justice to the wonderful work inside. Covers, titles, and MS go hand-in-hand. And I agree with you, writers should be involved in the whole process of book publishing from beginning to end. Thank you for this great advice.
PS Touch Of Fire is still on the front page--just at the bottom.
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Claudia: It never hurts to ask questions so that you at least understand what's going on in the background.
I try not to let a book's cover influence me, yay or nay, but I'm sure it does more than I realize. All your points are spot on.
Great post Maria!
I have to agree though - I've seen a lot of covers that make me cringe, and I don't have an artistic bone in my body (for visual arts anyway).
Thank you for offering to help those who're uncertain about how to go about making sure they don't get ripped off.
Evernight Publisher has a really awesome cover artist. I fall in love with all of her covers. Evernight's covers always win cover contests and everything. The artists is amazing. Not all publishers have that.
KT: Thanks. I can only take credit for the last two.
Angelina: Stock art is getting more expensive too. The place I was using went up in price this last time. I'm afraid you have to look at it as an investment. When building a portfolio, give yourself a budget of so many dollars and hunt the databases with that in mind. With any luck, you'll get that money back in clients.
Check out this link. If you click on covers they lead on to other covers.
http://www.petercheyney.co.uk/Cheyney%20Site/books.html#Anchor-47857
Marguerite: And now I'm wondering when the rest of us will get to see your new art. Post soon!
Tracy Jo: Welcome! I've added your blog to my reader.
LG: I think it's only human nature. I depend on the more adventurous to recommend bad-cover books to me.
Heather: I'm all for authors to create their own covers first if only to get a feel for the process.
I like striking covers that tease the imagination and make me want to read to find out more. Not too much to ask, is it? :)
Though the saying is "Don't judge a book by it's cover", it still happens, especially to books.
Cate: I hate seeing my art elsewhere too, but dems da breaks. All I can hope is that my cover is better.
Angela: We are at heart visual people--except maybe for the artist who did the bad cover. LOL.
But I'm really curious about why so many covers include people. I saw a cover a while back that just had a landscape -- appropriate to the romance novel involved -- and for me as a reader, that really worked. Now I can't remember the book/author...drat my weekend memory failures! :)
Jennifer: Ref: people on covers.
Ooh, I know the answer to this. Psychologically, we are more amenable to images with people on them. That's why most advertising uses people. It makes the product relatable and reassuring.
But I think too, we can be over-saturated with the same kind of imagery--especially in romance novels.
I don't know about anyone else, but I am REALLY tired of tattooed models. It was neat in the beginning, but now it's everywhere. It's lost its appeal.
It's also important to keep it consistent. Use the same image everywhere. It reenforces your brand.
PS Sorry for being so formal earlier and calling you Jennifer. LOL.
on the name thing...I thought you were the tax man! So seldom called Jennifer :)
I don't like my photos either. The one I use is my favorite only because it has me with my dog. It's dated, but I don't care. It tells the viewer all they need to know about me.
I'm not so far along that I really need to be obsessing about my covers yet, but I'll probably be making my own (I do have an artistic bent), but I don't have any graphic design experience, so I'm trying to learn what I can before I get that far.
Anyway thank you for getting me thinking.